Harry's House

Harry Styles’ third solo album, Harry’s House, is the product of a chain reaction. Had the pandemic not thrown his world into a tailspin in early 2020, he would’ve continued to tour behind Fine Line, his critically adored sophomore album, and played its songs hundreds of times for sold-out crowds around the world. A return to the studio was planned, of course, but when COVID-19 cancelled those plans too, Styles faced an empty calendar for the first time in a decade. The singer opted to use this free time carefully, taking a solo road trip through Italy and visiting with family and friends for rare long, drawn-out stretches. It was an important moment of re-evaluation. “You miss so many birthdays,” he told Apple Music’s Zane Lowe. “And eventually it's just assumed you're unable to be at stuff. Finally I was like, ‘I want to balance my life out a bit. Working isn’t who I am, it's something I do. I want to be able to put that down.’” His upbeat, lightly electronic third LP riffs on the concept of home, viewing it less as a geographical location and more as a state of mind—his mind. “Imagine it’s a day in my house, a day in my mind,” he said. “What do I go through? I’m playing fun music. I’m playing sad music. I have doubts. I’m feeling stuff.” Because of the pandemic, Styles recorded the songs with a small handful of long-time friends and close collaborators who gathered in a single room to drink wine, write and play. That intimacy is reflected in the songs, which are conversational and casually confessional, as if he’s thinking out loud. Blending vintage folk rock with flickers of disco and a generally more relaxed sensibility, they illustrate a turning point in Styles’ career as he transitions even further towards career singer-songwriter. “For a while it was, how do I play that game of remaining exciting?” he says. “But I finally had a moment where I felt like, ‘Okay, I’m not the young thing, so I would like to really think about who I want to be as a musician.’” R